Saturday, April 7, 2012

Heaven's Gate


    We hate cats!
    read the sign
    on the dog
    park's gate.

    Take them to
    the cemetery
    next door, it
    droned to all
    who would read.
    Let them hunt
    mice or die.

    Why field mice
    love the dead
    we don't know:
    burrows into
    fresh dug soil
    perhaps.  There
    they breed like
    with like, little
    mice morsels.

    And, should they
    die, it read,
    we let dogs
    run the haunts
    at night...

                    Dogs
    love to sweep
    across streets
    in the city
    of the dead.

    ...to chase ghosts
    "from this world
    to the next"
    was implied
    though it read
    from shadows
    of their lives.



    Dogs eat, of
    course, from cats'
    unburied
    bodies and
    bury clean bones
    when done.

    No cats go,
    asserted
    the rambling
    sign, through
    Heaven's gate
    alone!

         

Singing Kaddish for Anna


    (in memory of my mother, dedicated to my father)

        

    All night long, my bedroom glowed
    golden with the light of street lamps
    through opened window blinds,
    through the sash I’d cracked
    to let the cool night air flow in
    and the deep breathes of sorrow out.
    All night long wasted on sleep
    that wouldn’t come whilst listening
    to thoughts that couldn’t stem
    the stream of time into a river
    greater than mine . . . A half-state
    neither here nor there, beyond
    the great windowed wall that once
    sieved our lives into moments,
    vignettes from the theatre of us,
    that history only now defines.
    All night confined to one such moment,
    hearing the whimpers of the dog
    whose fall into sleep has sent him
    into a run across imagined fields;
    no one else here to sing
    the lullabies you once carried
    like water: fluid even
    within confines of a melody
    I can’t quite remember
    but don’t want to forget.

         

Vampires


    They have put me in a room where
    white curtains meet white walls,
    where white lights glare down
    from ceilings like irradiated flies.

    They have strapped me to a bed
    that I might take my rest
    in waiting while the ventilation moans.
    The cries!  It cries.

    They have shown me pictures of my lovers
    and my lovers as they died;
    taken all my memories, twisted them,
    and spoken just of lies.

    They have caged a cricket
    and placed it by my side,
    that by it alone I'll know
    when day is passing into night.

    They feed me enough to keep me
    healthy and alive, to prick me
    and to bleed me dry through
    tubes that wend into another room.

    They pretend that they have left me
    alone to hear the cricket singing,
    but I can feel them sucking,
    taking turns on the plastic tubes.


          

Werewolf


    (for Paul)

    Tonight, driving you home,
    I think of the bogs beneath
    a full moon.  The werwulf rising
    above the mist on two legs,
    the corps of a man not fully
    human.
                  Glancing at the wheel,
    my hands, the bony fingers hard-
    worked long past dark.   I
    think   it could never happen
    to me, but already ...

    My hands are fur covered.  And,
    I know this manhood
                                       will not be
    long in coming.     You speak
    of animals wiser than men:
    You are a fox, a deer, and
    you are hunted.  Tonight,
    you find no rest, fearing,
    I may turn out the lights
    and go
                  blindly,   able
    to see in the dark.

_______________________________________________________________________________________________________________________

In 1721, Bailey's Dictionary defined werwulf as being "so named because man should be ware of them."

Dictionarium Britannicum: or a more compleat universal etymological English dictionary than any extant ... Explaining hard and technical Words, or Terms of Art, in all the ARTS, SCIENCES, and MYSTERIES following. 

Bailey's Dictionary rivaled Samuel Johnson's Dictionary in terms of its popularity in England.


     

Mud Man


    you say     i won’t
    make you

    and so     i go to bed
    unmade     slept in
    unlike a shore
    ravished
    by flood, retreating

    and acceding
    to your will     i break
    a sweat that will burn

    only after
    you are gone
    in the morning

       

River's Edge


    soft: mud fingered
    by roots, holding
    a treasure of bones
    and the flints used
    to pare them of their flesh
    beside a campfire burned
    long into the night, its red
    embers to white
    ashes: fired up, then
    covered stones
    with a powder      like snow
    no one long remembers –
    not even wrenched up
    and prodded into shapes
    made for tasting water

Reformation of the Cut Makers


    Block.     A block.     One
    Beside another.     Distracted.
    Distracting.     A block.
    A block.     One atop
    Another.      Oppressing.
    Imprinted.     One,
    A Monet squinting
    At the other.     The Other,
    A dot.     Arranged
    As a puzzle.     A  photo
    Of the mountains
    From which another
    Descended.     In multiples
    Chipped from altars,
    Holy men ascended
    Whole.     Again,
    A block.
    A block.     Blocking out
    The sun behind
    A pyramid.     Always,
    A scion to the light.
    A render of lime.
    A block.    Built
    On the back
    Of bones.     Encased
    In them.     Refined
    And reformed.     Else,
    Then, is
    Nothing but stone.