Saturday, April 7, 2012

Fallen Stars
(Cleveland, Ohio, long ago)


    They can’t imagine
    here what it is like to watch

    a river burn, the fire
    spring to life as you

    flicked the butt of your fag
    into the Cuyahoga.

    Lucky it didn’t light
    the embankment where we stood

    or the coal flats where we wrestled
    in the back seat of your car,

    we would joke later about that
    Chariot of Fire.  Piece of us now

    burnt into me — a Burning Man
    on a desert floor already blackened,

    naked with fear of having done
    not enough to keep you,

    wanting you to set me on fire,
    but whetted with the sinews of the bent

    river crooked against the skyline
    from which we’d come.  Aliens

    to an alien world.  No one
    here can imagine what it is

    to have lived through the moment,
    the fire in us burnt out.

         

The Iron Horse has Wings


    Satori Katsu in memory of Robert Allen Meyer


    1.

    The road ends in a circle. 
    You feel its gravity, gain
    speed over the arc.

    Release, if you're lucky,
    sends you home.  Through a field
    of yellow flowers.
      
     
    2.

    Rape presses.  Seed
    oil.  Lamps burning
    long.  Engines of industry
    sputter.

    The next train will drive into the plain
    like an embroiderer's needle.  Its design
    can be seen off the tip of our wing.

     
    3.

    Why is it you defy gravity?
    Can't you see it will pull you down
    like a star?  Leaving a crater,

    Earth will be forever 
    smoothing over.

     
    4.

    Flight was the stupidest thing I've ever attempted.
    I kept returning
    like rain to the rivers of the Pacific Northwest

    while you sewed the fields
    with seed crops.  Pressed
    to light my way.

     
    5.

    In the penultimate car, a passenger
    throws down a window.  Waves.  Like
    a wing.  Like a ripple.  As if 

    he's soldiering the fields.  Repeating. 
    Remember me.
    I am one of your conquered cities.

 


Note:

"Lightning's blue glare fills Oklahoma plains, the train rolls east casting yellow shadow on grass. Twenty years ago approaching Texas, I saw sheet lightning cover Heaven's corners ...  An old man catching fireflies on the porch at night watched the Herd Boy cross the Milky Way to meet the Weaving Girl... How can we war against that?"
    ̶  Allen Ginsberg.  "Iron Horse"  (1972)

     

Sandman Takes a Room


    It is
    possible that I will be
    nothing by the end of day,

    that I will       
    disintegrate in
    the dry air of this room
    where no breeze blows. 

    And to
    protect myself from these
    inevitabilities,
    curtains have been pulled
    and drawn upon themselves

    as a canvas where
    the artist painted the scene
    and his portrait eyes
    the room in which oils still
    supple mark the man

    when he
    turned keys against the latch
    not to enter but to lock him-
    self away. 

    I have this
    luxury: to scrawl out
    my last will, my testament,
    a cypher in grains of sand
    on this firmament
    where nothing holds.  Need

    drives me to fire, white-
    lightning and moonshine
    and a match poised
    to answer the only question,
    What color shall I be?

        


Heaven's Gate


    We hate cats!
    read the sign
    on the dog
    park's gate.

    Take them to
    the cemetery
    next door, it
    droned to all
    who would read.
    Let them hunt
    mice or die.

    Why field mice
    love the dead
    we don't know:
    burrows into
    fresh dug soil
    perhaps.  There
    they breed like
    with like, little
    mice morsels.

    And, should they
    die, it read,
    we let dogs
    run the haunts
    at night...

                    Dogs
    love to sweep
    across streets
    in the city
    of the dead.

    ...to chase ghosts
    "from this world
    to the next"
    was implied
    though it read
    from shadows
    of their lives.



    Dogs eat, of
    course, from cats'
    unburied
    bodies and
    bury clean bones
    when done.

    No cats go,
    asserted
    the rambling
    sign, through
    Heaven's gate
    alone!

         

Singing Kaddish for Anna


    (in memory of my mother, dedicated to my father)

        

    All night long, my bedroom glowed
    golden with the light of street lamps
    through opened window blinds,
    through the sash I’d cracked
    to let the cool night air flow in
    and the deep breathes of sorrow out.
    All night long wasted on sleep
    that wouldn’t come whilst listening
    to thoughts that couldn’t stem
    the stream of time into a river
    greater than mine . . . A half-state
    neither here nor there, beyond
    the great windowed wall that once
    sieved our lives into moments,
    vignettes from the theatre of us,
    that history only now defines.
    All night confined to one such moment,
    hearing the whimpers of the dog
    whose fall into sleep has sent him
    into a run across imagined fields;
    no one else here to sing
    the lullabies you once carried
    like water: fluid even
    within confines of a melody
    I can’t quite remember
    but don’t want to forget.

         

Vampires


    They have put me in a room where
    white curtains meet white walls,
    where white lights glare down
    from ceilings like irradiated flies.

    They have strapped me to a bed
    that I might take my rest
    in waiting while the ventilation moans.
    The cries!  It cries.

    They have shown me pictures of my lovers
    and my lovers as they died;
    taken all my memories, twisted them,
    and spoken just of lies.

    They have caged a cricket
    and placed it by my side,
    that by it alone I'll know
    when day is passing into night.

    They feed me enough to keep me
    healthy and alive, to prick me
    and to bleed me dry through
    tubes that wend into another room.

    They pretend that they have left me
    alone to hear the cricket singing,
    but I can feel them sucking,
    taking turns on the plastic tubes.


          

Werewolf


    (for Paul)

    Tonight, driving you home,
    I think of the bogs beneath
    a full moon.  The werwulf rising
    above the mist on two legs,
    the corps of a man not fully
    human.
                  Glancing at the wheel,
    my hands, the bony fingers hard-
    worked long past dark.   I
    think   it could never happen
    to me, but already ...

    My hands are fur covered.  And,
    I know this manhood
                                       will not be
    long in coming.     You speak
    of animals wiser than men:
    You are a fox, a deer, and
    you are hunted.  Tonight,
    you find no rest, fearing,
    I may turn out the lights
    and go
                  blindly,   able
    to see in the dark.

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In 1721, Bailey's Dictionary defined werwulf as being "so named because man should be ware of them."

Dictionarium Britannicum: or a more compleat universal etymological English dictionary than any extant ... Explaining hard and technical Words, or Terms of Art, in all the ARTS, SCIENCES, and MYSTERIES following. 

Bailey's Dictionary rivaled Samuel Johnson's Dictionary in terms of its popularity in England.